Big Bear, CA
I quiet mountain community full of back country adventure.
Friday’s Station – Pony Express
Friday’s Station is Union Army Military Post and Pony Express Station located near Lake Tahoe, in Douglas County, Nevada. The two story building is originally built as an inn and pony express station in 1860. The station is designated as a home station, where extra horses, firearms, men and provision are kept.
Originally, the buildings are intended for the Union Army in the District of California. The location is chosen for the pony express due to its proximety to Lake Tahoe and the state line. Becuase of its location, the station is refered to as the “Lakeside Station” by some. In April, 1860, Robert (Pony Bob) Haslam made the first ride and shipment of mail from Sacramento at Friday’s Station and made his first run to Buckland’s Station, a distance of seventy five miles to the east.
After the pony express failed, the property operated as a resort known as the “Buttermilk Bonanza Ranch.” Today, the original buildings still state and recognized as California Historical Landmark #728 and is listed on the National Register of Historic Places.
Location Map
Location Summary
| Name | Friday’s Station |
| Location | Douglas County, Nevada |
| Other Names | Lakeside Station Park Cattle Company Residence Buttermilk Bonanza Ranch |
| Latitude, Longitude | 38.9639, -119.9347 |
| Elevation | 6,324 feet |
| California Historical Landmark | 728 |
| National Register of Historic Places | 86003259 |
| NPS Station Number | 166 |
| Next Westbound Station | |
| Next Eastbound Station | Van Sickle’s Station |
References
George Benjamin Wittick – Photographer
George Benjamin Wittick was born in Pennsylvania and later moved to Illinois, and then out west in 1878 to pursue frontier photography. He served in the Civil War for the union using the name “Benjamin Wallace” in Company A of the 1st Minnesota Volunteer Cavalry and Company D of the 2nd Minnesota Volunteer Cavalry, from 1862 to 1865. He first worked for the Atlantic and Pacific Railroads before establishing his first photography studio in Gallup, New Mexico.
During his career, he photographed many subjects to include the railroad; southwestern landscapes such as Canyon de Chelly, the Navajo Reservation, and Pueblo scenes; and the Native peoples mostly the Apache, Navajo, Hopi, and Zuni. Wittik was the first person to photograph the Hopi Snake Dance. An elder warned him at the time that he would die from a snake bite for witnessing the ceremony and not being an initiated member.
His photographs from this event brought the Hopi religious ritual great attention.
He carried with him a collection of props for his photographs to include rifles, pistols, blankets, pottery, and more. Most of his photographs were taken outside using the natural sunlight against backdrops.
Billy The Kid
Easily, Wittick’s most famous photograph is of Henry McCarty, AKA Billy the Kidd, in Fort Sumner, New Mexico. The image is the only known image of the outlaw to be identified by those who knew him. The image It shows the outlaw dressed in a rumpled hat and ragged clothes, which include a bulky sweater. He’s is holding a Winchester carbine on his right side and a Colt revolver holstered on his left side. Two of these tintypes were produced. One is given to Paulita Maxwell, the kids girlfriend, and the other to friend Dan Dedrick. The last time this original is auctioned, it sold to William Koch for 2.3 million dollars.
It was taken by a traveling photographer who came through Fort Sumner [New Mexico] in 1880. Billy posed for it standing in the street near old Beaver Smith’s saloon. I never liked the picture. I don’t think it does Billy justice. It makes him look rough and uncouth. The expression of his face was really boyish and very pleasant. He may have worn such clothes as appear in the picture out on the range, but in Fort Sumner he was careful of his personal appearance and dressed neatly and in good taste.
Paulita Maxwell Jaramillo, the Kid’s girlfriend – 1920’s
In 1900, he established his last studio at Fort Wingate. In 1903. he decided to return to visit the Hopi Snake Dance. As a gesture of friendship towards the Hopu, he captured a rattlesnake to bring to as a gift. While handling the snake, he is bitten on the thumb on August 8, 1903 and died three weeks later at Fort Wingate, New Mexico, just as the Hopi elder had predicted many years earlier.
References
Camillus Sydney Fly – Tombstone Photographer
Camillus Sydney Fly was a photographer and eyewitness to one of the most notorious gunfights in western history. Camillus Sidney Fly was born in Andrew County, Mo., in 1849. Later that same year, Boone and Mary Fly crossed the prairie to Napa County, California with their infant son. On September 29th, 1879 he married Mary “Mollie” Goodrich, a photographer in her own right, and just a few months later, arrived in Tombstone Arizona.
Fly arrived to Tombstone Arizona in December 1879 and established, Fly’s Photography Gallery, on Fremont Street. Like many new arrivals, his first shelter was a tent, which the couple lived in while the photography studio and 12 room boarding house are built at 312 Fremont Street. Fly did some prospecting in the nearby Dragoon Mountains, but relied on the Gallery and boardinghouse next to it for income.
While in Tombstone, Mollie would take indoor portraits of the townspeople, while Buck’s photographic subjects tended towards outdoor photographs of mills, soldiers, ranchers and scenic panoramas. Regardless of photographer almost at almost all of their photographs were credited to C.S. Fly.
Destiny arrived for the Fly’s about 3:00 pm on October 26th, 1881. A long running feud between the Earp’s and McLaury/Clantons lead to the most iconic gunfight in western history, the gunfight at the O. K. Corral. For students of history, the gunfight actually occurred near the O. K. Corral in a vacant lot next to Fly’s Gallery. Ike Clanton famously hide in Fly’s gallery during the gunfight and Mr. Camillus Sydney Fly disarmed a dying Billy Clanton with a Henry Rifle in the aftermath of the fight.
We four started through Fourth to Fremont Street. When we turned the comer of Fourth and Fremont we could see them standing near or about the vacant space between Fly’s photograph gallery and the next building west. I first saw Frank McLaury, Tom McLaury, Billy Clanton and Sheriff Behan standing there. We went down the left-hand side of Fremont Street.
Statement of Wyatt S. Earp
in the Preliminary Hearing in the Earp-Holliday Case,
Heard before Judge Wells Spicer – November 16, 1881
Geronimo’s Surrender
In March, 1886, General George Cook is notified that the Apache Leader Geronimo agreed to meet. The meeting is arranged at Cañon de los Embudos about eighty six miles from Fort Bowie. Fly learned of this meeting and quickly attached himself to the military column. During the negotiations with Geronimo, C. S. Fly took about fifteen exposures on 8 x 10 inch glass plates. After three days of negotiations, Geronimo agreed to terms of surrender and returned to his camp across the Mexican border.
That night, while in his camp, a U. S. solder who supplied the Apache camp with whiskey, bragged that Geronimo and his followers would be attacked and killed as soon as they crossed the U. S. border. Geronimo and his thirty nine follows left camp that night. The U. S. army pursed Geronimo and his band until September 4, 1886 when, exhausted they surrendered.
Later in life…
In 1887 Fly traveled to Mexico to photograph the aftereffects of an earthquake in Bavispe. The same year, he toured the Arizona Territory to exhibit his photographic works of the area. He and his wife moved to Phoenix in 1893, where they opened another studio. The Flys returned to Tombstone after a year in Phoenix, and in 1895 C.S. Fly was elected to a two-year term as a Cochise County Sheriff.
When his term as a sheriff expired, Fly retired to his ranch in the Chiricahua Mountains, where he spent his remaining days. He died in Bisbee on October 12, 1901, at the age of 51. His remains were interred at the Tombstone Cemetery.
In 1912, his photography studio burns in Tombstone, Arizona. Ever the professional, Mollie documents the destruction of a warehouse of lost western photographic history, with a dramatic photograph.
References
Timothy H. O’Sullivan – Photographer
Timothy H. O’Sullivan (c. 1840 – January 14, 1882) was a photographer best known for of the Civil War and the western United States. O’Sullivan began his photography career as an apprentice in Mathew Brady’s Fulton Street gallery in New York City. He moved on to the Washington, D.C., branch managed by Alexander Gardner. In 1861. At the age of twenty-one, O’Sullivan joined Brady’s team of Civil War photographers.
Little is known about his early life. He was either born in Ireland or New Work City. As a teenager, Timothy was employed by Matthew Brady where he learn the newly invented craft of photography. When the Civil War broke out, he is commission as a first lieutenant in the Union Army, in 1861.
After the was, in 1867, Timothy H. O’Sullivan is hired by Clarence King to accompany the Geological Exploration of the Fortieth Parallel as a photographer. O’Sullivan was with the Survey for the seasons of 1867, 1868, 1869 and 1872.
During these expeditions, he is known to carry two or possibly three camera outfits which include a 9″x12″ and 8″x1O” plates and for stereoscopic views. He developed the plates in the field, as was necessary with the wet plate process, and worked in either a photographic tent or a mule-drawn ambulance wagon. The negatives were usually sent back to the Survey offices in Washington D.C. where they are printed.
In 1871, O’Sullivan join the geological surveys west of the one hundredth meridian, under the command of Lieutenant George M. Wheeler of the U.S. Corps of Engineers. Wheeler would caption O’Sullivan’s photographs with practical information useful in the later establishment of roads and rail routes and emphasized the west’s suitability for settlement.
In 1873, on another Wheeler expedition, O’Sullivan photographed the Zuni and Magia pueblos and the Canyon de Chelly and its remnants of a cliff-dwelling culture. He returned to Washington, D.C., in 1874 and made prints for the Army Corps of Engineers. Soon after being made chief photographer for the United States Treasury in 1880, O’Sullivan died of tuberculosis at age forty-one.
Timothy H. O’Sullivan Portfolio
References
National Register of Historic Places – Tombstone
The National Register of Historic Places Nomination Application of the history of Tombstone, Cochise County, Arizona
Tombstone, Arizona, sits atop a mesa (elevation 4,539) in the valley of the San Pedro River between the Huachuca and Whetstone Mountains to the west, and the Mules and the Dragoons to the east. The silver-bearing Tombstone Hills, among
which the city lies, are caused by a local upheaval of porphyry through a capping of limestone. The town, incorporated in 1879, burned twice, in June 1881, and May 1882, destroying most of the central business district. Most of the present town dates from the rebuilding after the 1882 fire. The buildings are one, sometimes two story, built of adobe, wood, or brick. Decorative detail is sometimes pressed metal, as on the Oriental Saloon, Fifth and Alien Streets. A shed porch supported by white wooden pillars projects over the wooden sidewalks on Alien Street.
Major Buildings
- The Cochise County Courthouse (1882) An Italian villa structure built in the shape of a latin cross, the courthouse is a two story brick building with stone quoins decorating the corners and a stone belt course marking the division
between the stories. The projecting central pavilion has a central porch supported by Tuscan columns and a balustrade crowning the entablature. Engaged Tuscan columns frame the tall wooden door, which is surmounted by a fan light. The tall four over four windows are topped by cornices held by projecting brackets. A plain cornice tops the second story and each arm of the cross ends in a pedimented gable. The whole is surmounted by a cupola with two round arched windows in each face, each face topped by a pediment which echoes the gable pediment below. The hipped roof of the cupola ends in a balustrade. The courthouse was used until 1929 when the county seat was removed to Bisbee. It is now owned by the State of Arizona which operates it as a museum. - Tombstone City Hall (1882) This three bay, two story brick building houses both the Tombstone city government and the fire department. The arched doorways of the ground floor have recessed doors with plain transoms above, the central doorway being double. The second story windows have round headed drip mouldings, the windows of the central bay being double to match the doorway below. There are two *Y cornices, one over the doorways, supported by ornamentlcHferacTegts; the second story; cornice is topped by a pediment, whose lines are repeated in the parapet above. The parapet is decorated with four finials. The city offices inside have recently been modernized, the ceilings having been dropped, the walls pannelled, a new door cut, and the floors carpeted.
After Ed Schieffelin’s discovery of silver in the San Pedro Valley in 1877, the boom town of Tombstone became, for a brief moment, the biggest, richest, gaudiest, hottest, meanest, most notorious town in Arizona Territory. While it was the mines
that drew the people to the town, Tombstone is best remembered for sixty seconds of one day – October 26, 1881 – when in a blazing flash America’s most famous gun battle flamed the gun fight at the OK Corral. The battle is a morality play which continues to fascinate because it has nearly every ingredient of the human drama: courage and cowardice, loyalty and treachery, hate, greed, and violence. The when four tall men dressed in black walked down Fremont Street to meet five outlaws waiting in an obscure horse yard remains fixed on the retina forever recreating in the American mind the eternal battle between Good and Evil that is basic to the human condition.
History
The lands in southeast Arizona were among the last penetrated by American settlement because they were the haunt and fortress of the fierce Apache. After the death of Cochise (1874), which left no clear succession to leadership, the Apache were more than usually rapacious. When in 1877 Ed Schieffelin decided to prospect in the San Pedro Valley no white man and few red ones were secure east of Fort Huachuca, so he used the fort as a base for careful one-day prospecting trips. Laughing troopers
told him he would find only his tombstone, SO when he made his strike, he called it Tombstone. Hie name came to mean much more, for those notorious and nameless who died there and are laid in Boot Hill, as well as for the Wild American West, for
Schieffelin’s mortal town was the last of the wide-open, flaming boom towns that provide us with our Frontier iconography.
- Schieffelin Hall (1881) This large, two story adobe building once was the scene of touring plays, operas and reviews. Built in an I shape with a gable roof, it today houses the Tombstone Historama.
- The Bird Cage Theater (1881) This three bay building with recessed round arched doorways once hosted the less reputable stage presentations, as a combination theater and dance hall. Presumably it took its name from the
curtained boxes suspended from the roof in which the girls plied their trade between acts. It is now a museum. - The Tombstone Epitaph (1882) — The second home of John Clum’s feisty newspaper, this building is typical of store fronts of the period, with its wide, tall windows, its double doorway, and its simple cornice. It is still an active newspaper.
- The San Jose House and the Crabtree Livery Stable (1881) These two single story adobe buildings at the corner of Fremont and Fifth Streets are among the oldest in town. The San Jose House, formerly a boarding house, is
faced with pressed metal siding and has a simple ornamental cornice. The OK Corral. The adobe offices of the famous corral stand on Alien Street between Third and Fourth, with the stable yards extending back to
Freemont Street. Both the office and the corral wall have simple stepped back parapets. Now a museum with cut-out figures of the combatants. - The Crystal Palace (1882) A simple three bay, two story structure with ornamental quoins and a balustrade atop the shed porch, and a flat roof with a plain cornice, the present building was built in the fall of 1880, but this facade represents what the building looked like before the May 1882 fire.
- The Wyatt Earp Building and the Bank Building represent similarly shaped commercial blocks c. 1881. The bank building’s facade was changed in 1883. Both blocks are rectangular with their major entrance at the corner. Compare the parapets. The Tuscan ornamentation on the bank building shows its greater claim to gentility.
Alien Street was the major commercial center. Respectable women used only the north side; their commercial sisters plied their trade on the south side and in the southeast quarter of the town, as far as possible from the proper residential section north of Fremont Street. Today the shops along Alien Street are a mixture of the museum, trinket shop, and restaurant, with services for local residents, such as a bank and drug store, mixed in. The storefronts will eventually be restored to the 1885 period.
Schieffelin, his brother Al, and Richard Gird, their mining engineer partner, brought in two big strikes, the Lucky Cuss and the Toughnut, besides owning a piece of Hank Williams and John Oliver’s Grand Central, which they called the Contention. With that the San Pedro Valley was in bonanza, with all that meant. Western hard rock mining was actually the antithesis of the American western dream for the mineral frontier required heavy capital and company organization to get the ore out. Former Territorial Governor Anson P.K. Safford offered to find the financial backing for a cut of the strike, and so the Tombstone Mining
and Milling Company was formed to build a stamping mill. Up to that time what town there was had been at Watervale near the Lucky Cuss. With the building of the mill, the population shifted to Goose Flats, a mesa above the Toughnut which was 4500 feet above sea level and large enough to hold a boom town. By the fall of 1879 a few thousand hardy souls were in a canvas and matchstick camp, perched among the richest silver strike in Arizona.
Like all mining towns, Tombstone grew like a mushroom. The big capital moved in 1880, the year the Southern Pacific reached Tucson. That fall the village of Tombstone was incorporated, and life settled into its brief, gaudy round. The mill And mines were running three shifts, union wages were $4 a day, and the mostly young, single, male population half horse and half alligator
needed some place to roar. Alien Street provided it. Nearly 110 places were licensed to sell liquor, and most sold other things as well. The hotels, saloons, gambling dens, dance halls, and brothels were roaring 24 hours a day. The town grew apace. In 1881 the population was 6,000; ‘at the height of thetown’s growth (c. 1885) it was perhaps 10,000 making it the largest town in the territory. By 1884 they had taken $25,000,000 out of the ground. Water proved difficult; it had to be hauled in until 1881 when the Huachuca Water Company piped it 23 miles from the Huachuca Mountains. The gaudy part of town along Alien Street was only the most obvious. All around it, respectable t people were struggling to earn a living and erect civilization as they had done
. elsewhere in the west. There were four churches (Catholic, Episcopalian, Presbyterian, and Methodist), two newspapers (the Nugget and the Epitaph), schools, lodges, and lending libraries. Schieffelin Hall, a large adobe building, provided a stage for plays, operas, reviews, and all the respectable stage shows. The Bird Cage on Alien Street provided the stage for the disreptuable ones.
The town developed a split personality: on the one hand, respectable, Godfearing folk trying to make a decent life for themselves, on the other, a flashy, hurdy-gurdy town full of shady ladies and tin horn gamblers who catered to the wants of the miners and cowhands. In back of the demimonde lurked a criminal organization that would take a Presidential proclamation and the threat of martial law to dislodge.
Tombstone’s unique situation was the cause of the trouble. In the beginning it was part of Pima County, whose seat, Tucson, was hard miles away. Even further away the territorial capital was in Prescott, and in the governor’s chair, John Charles Fremont. Sometime since the Pathfinder had begun to lose his way, and he reacted to his gubernatorial appointment by sulking because it
was not a cabinet post. And so the territory was run by the Democratic machine which, in those robust days, was engagingly corrupt. In 1881 the southeast corner of Pima County was erected into Cochise County with its seat in Tombstone, and the situation in Cochise County was difficult. Not only were hard cases drawn there by the presence of large silver bars, but the town was situated near enough to the Mexican border to be the center of a large trade in stolen cattle. As the Kansas and Texas towns were tamed, the technologically unemployed gun-slingers and drovers drifted toward Tombstone where they found an agreeable climate for their kind. Following them were the frontier peace officers: the Earps, Virgil, Wyatt, Morgan, and Bat Masterson. They all came to Tombstone, there to work out their destiny.
The head of the rustlers was N.H. (Old Man) Clanton; he was ably seconded by his sons Ike, Phin, and Billy. They had a “ranch” near Lewis Springs. The Sulphur Springs Valley was the site of the McLowry brothers, also of a rustling persuasion. The two groups controlled the water holes for miles around. What cattle they did not run up from Mexico, they lifted from their neighbors. Their lieutenants were the likes of Curly Bill Brocius and Johnny Ringo, and only the strongest cattle men, like Henry Hooker and John Slaughter, could hold out against them.
In the summer of 1879 the first ore shipments came out of the mill; in the fall the first of the Wells, Fargo stagecoaches was robbed. The contest was on. The rustlers-cum-road agents struck and retired to their ranches, untouchable, charged Wyatt Earp, because they were protected by the corrupt Cochise County Sheriff John Behan. The evidence seems to bear out the charge. Few road agents were ever arrested, even when they had been recognized, and those few unaccountably escaped custody. By this time Old Man Clanton was dead, killed in retaliation for a cattle raid into Mexico, and his place as chieftain was taken by
Curly Bill Brocius, who had killed Tom White, Tombstone’s first town marshal. Soon the criminals determined to dominate Tombstone as they did the surrounding country-side, not just “tree the town” as the miners and cowhands were wont to do, but to own it. Between them and their objective stood two men, U.S. Deputy Marhsal Wyatt Earp and his brother Virgil, the town marshal. Honest men banded into a vigilante group, the Citizens Committee of Safety, and backed the play of the Earps.
Political and economic factors brought about the enmity between the two groups; personal hatred brought on the gunfight. On the 25th of October, 1881, Ike Clanton rode into town, got gloriously drunk, and as he went from bar to bar, threatened to kill the Earps and their friend, Doc Holliday, the consumptive Georgia dentist with the ambiguous reputation. The next morning he was joined by his brothers Billy and Frank, Tom McLowry, and Billy Claibom. Tension rose, in the town. It was just after two o’clock when Wyatt, Virgil, and Morgan Earp stepped out of Hafford’s Saloon on the northeast corner of Fourth and Alien Streets to
arrest the Clantons and their friends (for carrying arms within the town limits). As they walked toward the OK Corral they were joined by .Doc Holliday “indignant at the thought that they had meant to leave him behind.” The corral offices were on Alien Street between Third and Fourth, but the lot ran through to Fremont Street on the north. It was in the open lot between Fly’s Photo Studio and the Harwood House where the rustlers waited. Sheriff Behan met the lawmen midway to announce that he had disarmed the boys. After finding that he had not arrested the men, the Earps and Holliday brushed him aside and continued down
”Fremont Street. As they passed Fly’s Studio they turned left into the yard and confronted the five men. What happened next took only between thirty and sixty seconds. Seventeen shots were fired on each side. When the smoke cleared, Frank and Tom McLowry and Billy Clanton were dead. Virgil and Morgan Earp were wounded and Doc Holliday was creased along the back.
The gun fight was not the catharsis it is usually portrayed as being, but gasoline on the fire. Only a prompt show of force by the vigilantes prevented the lid from blowing off the town then and there. When Judge Wells Spicer exonerated the Earps and Holliday of murder, the rustlers were determined to get them anyway. The reign of terror increased. Mayor John Clum, editor of
the Epitaph and a strong supporter of the Earps, survived an assassination attempt by luck and quick thinking. Murders on the streets of town and stage-coach robberies increased. Because Virgil’s arm was permanently disabled by his wound, another town marshal was appointed, and the Earp faction lost important official power because Wyatt’s jurisdiction as a U. S. marshal applied only to federal cases.
After Fremont’s resignation, Acting Governor John J. Gosper moved against lawlessness in Cochise County by appointing Wyatt Earp to do the job Sheriff Behan would not — drive out the bandits. In retaliation Behan re-opened the OK Corral case.
On the 19th of March, 1882, Morgan Earp was shot in the back as he played pool in Hatch’s Saloon. While Wyatt and the youngest brother Warren were escorting Virgil and his wife to Tucson, Wyatt shot and killed Frank Stilwell, one of the
rustlers. Because he knew the conditions in Tombstone, Sheriff Paul did not issue warrants for the Earps, but Sheriff Behan deputized Curly Bill Brocius I and the other gun-slingers of the rustler faction to arrest the Earps or shoot
them on sight. The county, territory, and finally the Nation were treated to the spectacle of the U. S. posse and the county posse stalking each other across the badlands, Wyatt with federal warrants for the arrest of the sheriff’s men, Behan with no legal justification at all. After Wyatt killed Curly Bill at an ambush at Iron Springs designed to net the U. S. marshal, the rustlers, deprived their leader, fled to Mexico. The surviving Earps went north into Colorado to await extradition to Pima County.
The new territorial governor, F.A. Trittle, had hardly taken his post when the murder of Morgan Earp, blew the lid off Tombstone for once and all. On investigation, he sent an urgent appeal to President Chester Arthur asking for funds to set up a territorial police to deal with the situation. Arthur went him one better and in a special message to both houses of Congress (April 26, 1882)
suggested using the Army instead. On the third of May Arthur’s Presidential Proclamation threatened martial law by May 15 unless the situation was corrected. Tombstone was shocked by the national publicity.
Governor Trittle and Pima County Sheriff Paul informed Governor Pitkin of Colorado that they could not guarantee the safety of the Earps, and Pitkin refused extradition. That ended it for the Earps. Wyatt followed the frontier wherever it went, retiring to Los Angeles where he died in bed in 1929. In all his career he had never been wounded,
In July, Johnny Ringo, the last outlaw leader, was killed near Turkey Creek, There were still plenty of penny- ante badmen around, enough to make “Texas John” Slaughter’s career as Cochise County Sheriff famous (1888-1892), but the reign
of terror was over. With federal interest aroused, Sheriff Behan did not run for re-election; the machine found him a job anyway assistant warden at the Yuma Territorial Prison. He was later promoted to warden. Tombstone settled down to respectable prosperity. Two fires (June 22, 1881, and May 25, 1882) had wiped out most of the business district. It was promptly rebuilt, and the good times lasted through 1883. By 1884 the price of silver led the mine owners to attempt to reduce wages from $4.00 a day to $3.50. The union struck, and violence at the mines brought what outlawry had never brought troops from Fort Huachuca.
In 1886 water filled the mines, and despite attempts to pump, the mines were closed. Two-thirds of the population left the town. Two brief flurries of prosperity occurred, one in 1890 and one in 1902, but they did not last. In 1929 (the same year Wyatt Earp died in Los Angeles), the county seat was moved to Bisbee, and Tombstone lost its last reason for being, but the town proved
“too tough to die.” It pulled itself together, began restoration and rebuilding, and found a new life as a tourist attraction. In 1961 it was declared a National Historic Landmark and today illustrates much of the flavor and vitality of the old west.
As one of its historians, John Myers Myers, has written, “The great thing about Tombstone was not that there was silver in the veins of the adjacent hills, but that life flowed hotly and strongly in the veins of the people. “
The National Historic Landmark boundary for Tombstone, Arizona, is Approximately the same as that of the proposed Schieffelin Historic District. Boot Hill is not included in the boundary because of its lack of historic integrity. Beginning at a point 180′ southwest of the southwest corner of Third and Toughnut Streets (behind the former Cochise County Courthouse) proceed in a northeasterly direction to the southern curb of Safford Street, thence southeasterly l,300 feet more or less, along the said curb to a point, thence southwesterly l,020 feet, more or less, to a point , thence in a northwesterly direction 1,300*, more or less, to the point of origin.