Bodie Fire June 23, 1932

The Fire of June 23, 1932, stands as one of the most devastating events in the history of Bodie, California, the once-thriving gold-mining boomtown in the eastern Sierra Nevada mountains. By the early 1930s, Bodie had long passed its peak; what had been a bustling community of nearly 10,000 people in the late 1870s had dwindled to just a few hundred residents amid declining mining operations, economic hardship during the Great Depression, and earlier damage from a major fire in 1892. The town retained only a fraction of its original approximately 2,000 structures, but it still featured a Main Street lined with wooden buildings, saloons, hotels, stores, a bank, and a schoolhouse.

The Outbreak of the Fire

"Bodie Bill" - Age 2 1/2 years - Firebug of the Bodie Fire, June 23, 1932
“Bodie Bill” – Age 2 1/2 years – Firebug of the Bodie Fire, June 23, 1932

On June 23, 1932—the last day of school for the remaining children in Bodie—a small but fateful act ignited catastrophe. Nearly 3-year-old Bill Godward (often called “Billy” or later nicknamed “Bodie Bill”), the son of local residents, was disappointed after a school party served only red Jell-O instead of the ice cream he craved. In a moment of childish frustration and mischief, he left the school, went home (while his parents were away at work), obtained matches, and proceeded to a vacant wooden building or shed behind the Sawdust Corner saloon.

There, Bill started a small fire—likely out of boredom or play—that quickly spread due to the dry conditions, high winds typical of the high-desert environment, and the abundance of wooden structures packed closely together. The blaze erupted in the afternoon, with the camp fire bell soon ringing out an alarm across the town.

Resident accounts, such as one from Margaret Bennett in a surviving letter, describe the chaos: she had just hosted a birthday party for her daughter at the schoolhouse when the alarm sounded. She rushed to help salvage valuables (including moving important papers to a bank vault), loaded cars with belongings, and drove them to safety along Main Street as flames raged. Firefighting efforts were severely hampered; water pipes from the reservoir on Bodie Bluff were clogged with sediment, forcing residents to form bucket brigades from a nearby creek. Assistance arrived from about 40 men of the Bridgeport fire department, but the wind-driven fire spread rapidly.

Destruction and Immediate Aftermath

The fire consumed a massive portion of what remained of Bodie—estimates range from about 70 percent to as high as 95 percent of the standing buildings. It destroyed most of Main Street, including key commercial structures such as the bank, hotels, stores, and saloons. Only a small core of buildings survived, largely because the wind eventually shifted direction, sparing sections on the outskirts.

The loss was catastrophic for the already struggling community. With mining long in decline (and officially ending a decade later in 1942), the fire removed much of the remaining infrastructure and economic viability. Few residents stayed long-term afterward; many left, accelerating Bodie’s transition into a near-ghost town. Salvage efforts focused on saving personal belongings and whatever could be carried away, but the town never rebuilt significantly.

Long-Term Consequences and Legacy

The 1932 fire was the final major blow that defined Bodie’s appearance today. It left roughly 5–10 percent of the original structures standing—about 100 or so buildings, including the schoolhouse, Methodist church, firehouse, and various homes and businesses—frozen in a state of abandonment.

By the 1940s, Bodie was essentially deserted. In 1962, the California State Parks system acquired the site, designating it a State Historic Park and National Historic Landmark. It is preserved in a policy of “arrested decay,” meaning structures are stabilized but not restored, maintaining the authentic, weathered look left by the fire and decades of exposure. Today, Bodie attracts visitors as one of America’s best-preserved ghost towns, with the ruins serving as a poignant reminder of the boom-and-bust cycles of the American West.

The 1932 fire, sparked by a toddler’s innocent (if reckless) play, sealed the fate of a town already fading into history, ensuring that what visitors see now is a direct legacy of that June day.

Treloar Murder January 14, 1881

Bodie, California, was a booming gold mining town in Mono County during the late 1870s and early 1880s, with a population peaking around 8,000-10,000 residents. Known for its rough frontier atmosphere, the town was rife with saloons, gambling, and violence, earning it a reputation as one of the Wild West’s most lawless settlements. While official law enforcement existed, including sheriffs and deputies, the remote location and frequent crimes often led to extrajudicial actions by vigilante groups. One such group was the Bodie 601, a secretive vigilance committee formed around 1880-1881, whose name reportedly stood for “6 feet under, 0 trials, 1 rope.” The murder of miner Thomas H. Treloar by Joseph DeRoche (also spelled Deroche or Daroche) in January 1881 became the catalyst for the 601’s most infamous act, highlighting the town’s precarious balance between formal justice and mob rule. This incident, rooted in jealousy and infidelity, underscored the dangers of personal disputes in a volatile mining camp and contributed to Bodie’s enduring lore as a “bad man’s” paradise.

Miners Hall, Bodie, California - Photo by James L Rathbun
Miners Hall, Bodie, California – Photo by James L Rathbun

Background: The Key Figures and Rising Tensions

Thomas H. Treloar, born around 1850 in England (possibly as Thomas Henry Treloar to parents John Treloar and Eliza Batten), was a Cornish hard-rock miner who immigrated to the United States. He worked in Virginia City’s Comstock Lode before arriving in Bodie during its gold rush boom in the late 1870s. Treloar was known for his resilience; he survived a dramatic 225-foot fall down a mine shaft in Virginia City, which left him with injuries described by the Daily Free Press (January 18, 1881) as rendering him “little more than half witted.” Despite this, he continued mining and married Johanna Londrigan (also spelled Lonahan) on January 2, 1879, in Bodie. The 1880 census listed him as a 30-year-old miner born in England, living with his 28-year-old wife Johanna, who was born in Rhode Island to Irish parents. Treloar had taken out a $1,000 life insurance policy with the New England Life Insurance Company, set to mature in 1881 (equivalent to over $100,000 in modern value), which Johanna allegedly married him to claim, as she reportedly told auction house owner John Brophy: “Oh, I married him for that endowment policy on his life, which will be due in a couple of years; and then I will have the money.”

Joseph DeRoche, a French-Canadian in his late 40s or early 50s (born around 1831), owned the Booker Flat brickyard and a two-story brick house in Bodie. He had a wife and three children in Chicago but had known Johanna for about 12 years, first meeting her in Chicago in the late 1860s. Rumors of an affair between Johanna and DeRoche circulated widely in Bodie, fueling Treloar’s jealousy. The couple’s marriage was troubled; Treloar once punched Johanna, leading to his conviction for battery in June 1879. Tensions escalated as Treloar quarreled with both his wife and DeRoche over the suspected infidelity.

The Incident: The Shooting at the Miners’ Union Hall Ball

Exterior View of the miners hall in Bodie, CA Photo by James Rathbun
Exterior View of the miners hall in Bodie, CA Photo by James Rathbun

The fatal confrontation unfolded on the night of January 13, 1881, during a social society ball at the Miners’ Union Hall on Main Street in Bodie. Treloar, dressed in denim work clothes, arrived around 11:00 p.m. and confronted Johanna. By 12:30 a.m., he saw her dancing with DeRoche, despite having explicitly told her not to. Enraged, Treloar confided to the doorman, “I told my wife not to dance with that man, and she said she wouldn’t,” and expressed to George Morgan his intent to kill DeRoche. Warned of the threat, DeRoche stepped outside and exchanged heated words with Treloar, later claiming he had “run Treloar off with a gun.”

After the ball ended around 2:00 a.m. on January 14, 1881, Treloar and Johanna left the hall and walked down Main Street. DeRoche, who had left earlier, ambushed them at the corner of Main and Lowe Streets, emerging from the darkness. He pulled a .38 caliber double-action Forehand and Wadsworth revolver (sometimes described as a British Bulldog revolver) and shot Treloar in the back of the head, with the bullet entering just below the left ear, killing him instantly. Witnesses G.W. Alexander and E.S. Butler, who were nearby, heard the shot and saw DeRoche fire without provocation. Butler grabbed DeRoche’s gun and asked, “What did you shoot that man for?” DeRoche falsely claimed, “Because he jumped me — see where he scratched me,” but no scratches were found. Deputy James Monahan arrested DeRoche on the spot. Johanna, informed by DeRoche with the words “Mrs. Treloar, I have killed your husband!” rushed to the scene, finding Treloar dead in a pool of blood.

Immediate Aftermath: Arrest, Escape, and Recapture

DeRoche was charged with murder and jailed in Bodie around 2:00 a.m. on January 14. However, Deputy Joe Farnsworth, who was intoxicated, suggested moving him to Farnsworth’s room at the Standard boarding house for safety from a potential lynch mob. Constable John Kirgan and Deputy Constable Sam Williamson agreed, and Farnsworth shackled DeRoche there before falling into a drunken sleep, described by the Daily Free Press (January 15, 1881) as “the profound sleep of the inebriated.” By 8:00 a.m., DeRoche had escaped, possibly after Farnsworth was bribed with $1,000 (though Farnsworth denied it). DeRoche fled down Goat Ranch Road to a wood ranch about eight miles away.

A coroner’s inquest began shortly after noon on January 14, with Alexander and Butler testifying to the unprovoked shooting. On January 16, the jury ruled it a “willful and premeditated murder,” criticizing Kirgan for “gross neglect of duty” and Farnsworth for being “criminally careless.” Public outrage boiled over, with the Daily Free Press warning that Farnsworth “must produce the murderer or suffer the consequences.” The Bodie 601, comprising about 200 organized men, searched Bodie and interrogated DeRoche’s French-Canadian associates, including one named DeGerro, who revealed his hiding spot. On January 17, 1881, vigilantes captured DeRoche at the ranch, where he claimed the gun discharged accidentally during a struggle with Treloar and that Farnsworth had advised him to flee.

The Lynching: Vigilante Justice by the Bodie 601

DeRoche was returned to Bodie jail, but the 601 acted swiftly. Between 1:30 and 2:00 a.m. on January 24, 1881, about 200 masked and unmasked men, armed with shotguns, marched to the jail and demanded his release. Jailer Kirgan complied, and the mob removed DeRoche. They marched him to Webber’s blacksmith shop, relocating a gallows frame (used for raising wagons) to the corner of Main and Lowe Streets—the exact site of the murder. Dressed in light-colored pants, a colored calico shirt, and a canvas coat, DeRoche had his hands and legs tied. Asked if he had anything to say, he replied, “I have nothing to say only O God.” He was hanged, dying immediately from strangulation. A note pinned to his body read: “All others take warning. Let no one cut him down. Bodie 601.” The lynching was described in The Bodie Free Press as “awful and impressive,” with attorney Pat Reddy unsuccessfully offering $100 for participants to reveal their names.

Impact on Bodie and Legacy

The Treloar shooting and DeRoche’s lynching reinforced Bodie’s image as a town where justice was often swift and unofficial, especially amid perceived failures in law enforcement like Farnsworth’s negligence. It deterred potential criminals, as the 601’s actions served as a stark warning, and highlighted social tensions in mining camps, including infidelity and ethnic divisions (e.g., targeting French-Canadians). Treloar was buried on January 13 or shortly after by the fire department and miners’ union, though exact dates vary slightly in accounts. Johanna likely claimed the insurance policy, but her fate is unclear. The event faded as Bodie declined in the 1880s due to depleting gold, but it endures in ghost town lore, preserved at Bodie State Historic Park. Today, the site of the shooting and lynching remains a point of interest, symbolizing the Wild West’s brutal frontier justice.

Hell’s Heroes

Hell’s Heroes (1929) is a pioneering early sound Western film directed by the acclaimed William Wyler, marking his first all-talking production and a significant milestone in his illustrious career, which would later include classics like Ben-Hur and Roman Holiday. Adapted from Peter B. Kyne’s novel The Three Godfathers, the story follows three desperate outlaws—Bob Sangster (Charles Bickford), “Barbwire” Gibbons (Raymond Hatton), and “Wild Bill” Kearney (Fred Kohler)—who rob a bank in the desert town of New Jerusalem and flee into the harsh wilderness. Their journey takes a redemptive turn when they discover a dying woman and her newborn baby in a covered wagon, vowing to deliver the infant to safety across the unforgiving Death Valley-like terrain. The narrative blends gritty realism with themes of sacrifice, morality, and human endurance, shot in stark black-and-white to emphasize the desolate landscape’s brutality. Clocking in at around 68 minutes, the film was produced by Universal Pictures and notable for its on-location shooting, which lent an authentic, rugged atmosphere absent from studio-bound productions of the era.

Hell's Heros (1929) Movie Title Screen
Hell’s Heros (1929) Movie Title Screen

Filmed primarily in the summer of 1929 in the remote ghost town of Bodie, California—a once-booming gold-mining settlement in the Eastern Sierra Nevada—the movie used the town’s dilapidated wooden structures and dusty streets to stand in for the fictional New Jerusalem. This choice of location was practical, as Bodie’s isolation and preserved 19th-century architecture provided a perfect backdrop for the story’s Old West setting. At the time, Bodie was already in decline, with a dwindling population after its peak in the late 1870s and early 1880s, when it housed up to 10,000 residents and was infamous for its saloons, brothels, and lawlessness.

Bodie served as a movie set in the 1929 movie, Hell's Heros
Bodie served as a movie set in the 1929 movie, Hell’s Heros

Beyond its narrative value, Hell’s Heroes serves an inadvertent documentary role by capturing rare footage of Bodie just three years before a devastating fire in 1932 ravaged the town. The film’s exterior shots preserve images of buildings, streets, and the overall layout that no longer exist, offering historians and enthusiasts a visual record of Bodie’s pre-fire state. This “accidental archive” is particularly poignant, as Bodie had already begun transitioning into a ghost town, and the movie’s depiction highlights its eerie, time-frozen quality—empty boardwalks, weathered facades, and the remnants of mining infrastructure—that would soon be lost to flames.

A wonderful view of Bodie is available to the travels en route to Masonic. Photography by James L Rathbun
A wonderful view of Bodie is available to the travels en route to Masonic. Photography by James L Rathbun

Fires played a pivotal and destructive role in Bodie’s history, underscoring the fragility of frontier boomtowns built hastily from flammable wood in an era without modern fire safety. The town’s first major blaze occurred in 1878, followed by others in 1886 and a catastrophic one in 1892, sparked in a kitchen, which obliterated much of the business district along Main Street, including stores, saloons, and homes. This 1892 fire accelerated Bodie’s economic decline by destroying key infrastructure during a period when gold yields were already waning. The most significant inferno, however, struck on June 23, 1932—allegedly started by a young boy playing with matches—which consumed approximately 90% of the remaining structures, leaving only about 10% of the town intact. By then, Bodie’s population had shrunk to fewer than 100, and the fire sealed its fate as an abandoned relic. Paradoxically, these fires contributed to Bodie’s preservation as a cultural landmark; by preventing rebuilding and repopulation, they allowed the surviving buildings to remain in a state of “arrested decay,” now protected as Bodie State Historic Park since 1962. The blazes symbolize the boom-and-bust cycle of Gold Rush towns, where rapid growth met equally swift ruin, influenced by factors like poor construction, harsh weather, and human error. Today, Bodie’s fire-scarred legacy draws visitors seeking a glimpse into California’s wild past, with Hell’s Heroes standing as a celluloid testament to what was lost.

Watch the Hell’s Heroes on the Bodie.com Youtube channel.

Bodie Cemetery

Nestled on a sagebrush-covered ridge overlooking the remnants of Bodie State Historic Park in Mono County, California, the Bodie Cemetery stands as a poignant testament to the fleeting fortunes of the American Wild West. Bodie itself emerged in 1859 when prospector W.S. Bodey discovered gold in the surrounding hills, leading to the establishment of a modest mining camp. Tragically, Bodey perished in a blizzard just months later, his body temporarily buried near the site of his death. By spring 1860, his remains were recovered and interred, though not reburied in the formal cemetery until nearly two decades later, around 1879, when the town had swelled into a bustling hub.

The cemetery’s development coincided with Bodie’s explosive growth in the late 1870s. What began as a small settlement ballooned to a population of nearly 10,000 by 1880, fueled by the promise of gold from the Standard Mine and other veins. This boomtown, notorious for its lawlessness—earning the moniker “the worst place in the West” from a minister’s young daughter—saw saloons, brothels, and gunfights outnumber churches and schools. Amid this chaos, the Bodie Miners’ Union, formed on December 22, 1877, played a pivotal role in the cemetery’s history. The union’s constitution included a “death benefits clause,” providing financial support for funerals, grave plots, and stone markers for its members, ensuring dignified burials in an era of perilous labor.

The cemetery comprises three primary sections: the Miners’ Union area (with 38 marked graves), the Wards Cemetery (29 marked graves for general citizens), and the Masonic section (9 marked graves). Beyond these, an informal “Boot Hill” extension housed the outcasts—prostitutes, Chinese immigrants, and those deemed socially unacceptable—buried without ceremony outside the fenced perimeter. The Chinese section, in particular, reflects the town’s multicultural underbelly; hundreds of railroad workers and laborers who sought gold met untimely ends, their unmarked graves a somber reminder of prejudice and unfulfilled dreams of repatriation to their homeland.

Evelyn Myers, a three year old girls grave marker located in Bodie, CA reminds us that not all mine camps were filled with men. Photograph by James L Rathbun
Evelyn Myers, a three year old girls grave marker located in Bodie, CA reminds us that not all mine camps were filled with men. Photograph by James L Rathbun

Life in Bodie was as harsh as its high-desert climate, with epidemics, mining accidents, and violence claiming lives at an alarming rate. By the 1880s, over 200 burials had occurred, though only about 150 markers remain legible today, scarred by vandalism, erosion, and relentless winters. Notable among the interred is Rosa May, a prostitute legendarily said to have nursed the afflicted during a smallpox outbreak in the 1870s, only to succumb herself and be denied a plot inside the fence. The cemetery also holds a cenotaph to President James A. Garfield, symbolizing the town’s fleeting ties to national events.

As Bodie’s mines played out in the 1890s, the population dwindled to a few hundred by 1915, transforming the site into a ghost town. Designated a National Historic Landmark in 1961 and part of Bodie State Historic Park since 1962, the cemetery endures in “arrested decay,” its weathered headstones whispering tales of ambition, hardship, and transience. Restoration efforts by groups like the Bodie Foundation continue to preserve this legacy, offering visitors a stark contrast to the preserved buildings below—a place where the gold rush’s human cost lies eternally etched in stone.

List of Notable People Buried in Bodie Cemetery

The following is a curated list of notable or representative burials, drawn from historical records. Dates indicate year of death where known; sections are noted for context. This is not exhaustive, as many markers are faded or lost.

NameDeath YearSection/AreaNotes
W.S. Bodey1859Miners’ UnionNamesake of Bodie; prospector who discovered gold; remains relocated c. 1879.
Rosa May (Ding)1879?Outside Fence (Boot Hill)Prostitute who allegedly nursed smallpox victims; denied formal burial due to profession.
Michael Cody1880sMiners’ UnionUnion member; burial documented via multiple obituaries.
Lester L. Bell1955Wards CemeteryLate burial in family plot; reflects ongoing ties to the site.
James W. Daly1881Miners’ UnionIrish miner killed in accident; headstone notes “Erected by his fellow workmen.”
Nellie Cashman1880s?Masonic?Adventurer and restaurateur; disputed burial, but associated with Bodie lore.
Chinese Immigrants (various)1870s-1880sChinese Section (Outside)Unmarked graves of laborers; hundreds remain, unrestful per local legend.
President James A. Garfield (cenotaph)N/AMain CemeterySymbolic monument; not a burial, honors the assassinated president.

For a comprehensive inventory of all legible markers, historical surveys list over 150, including children lost to illness, miners crushed in cave-ins, and families who briefly called Bodie home.

Wheaton and Hollis Hotel – Bodie, California

The Wheaton and Hollis Hotel, a weathered wooden structure on Main Street in the ghost town of Bodie, California, exemplifies the transient and multifaceted nature of buildings in this late-19th-century mining boomtown. Constructed during Bodie’s peak prosperity, the building evolved from a commercial store to a federal office, utility headquarters, and finally a modest hotel and boarding house. Its name, often rendered as “Wheaton & Hollis,” carries an air of historical ambiguity, likely stemming from a faded or misread sign rather than an actual partner named Hollis. Today, it stands as one of the approximately 100 preserved structures in Bodie State Historic Park, maintained in a state of “arrested decay” to reflect the town’s abrupt abandonment.

Origins and Construction as the Wheaton & Luhrs Store (Early 1880s)

Bodie, discovered as a gold mining camp in 1859 but booming after the 1875 Standard Mine strike, attracted thousands seeking fortune in the arid Mono County hills. Amid this frenzy, the Wheaton and Hollis building was erected in the early 1880s—likely around 1882—by entrepreneurs George H. Wheaton and Nicholas C. Luhrs. Wheaton, a prominent Bodie businessman originally from New York, had arrived in the area during the rush and invested in various ventures, including real estate and mercantile operations. Luhrs, a German immigrant and fellow merchant, partnered with Wheaton to capitalize on the town’s explosive growth, which saw a population swell to 7,000–10,000 by 1880.

The two-story wooden frame building, typical of Bodie’s hasty construction with lumber hauled from nearby mills, was initially a merchandise store known as Wheaton & Luhrs. Positioned across from Green Street on the bustling Main Street—once lined with saloons, assay offices, and brothels—it served the daily needs of miners, merchants, and families. The store stocked groceries, mining supplies, clothing, and hardware, thriving on the influx of cash from gold ore processing at nearby mills. Its façade featured a bold sign proclaiming “WHEATON & LUHRS,” and the ground floor likely housed the retail space, with the upper level for storage or offices. This era marked the building’s role in Bodie’s commercial heart, where business was as rough as the terrain; Wheaton himself was known for his shrewd dealings, though details of his personal life remain sparse, with some local lore speculating on his investments beyond Bodie.

The partnership’s duration is unclear, but Nicholas Luhrs died sometime in the mid-1880s, prompting changes. After his death, the building’s exterior was repainted white, and a new sign was affixed over the original: “BODIE HOTEL – MEALS AT ALL HOURS.” This overlay concealed the faded “WHEATON & LUHRS” beneath layers of paint, but over time, weathering and removals revealed a puzzling variant—”WHEATON & HOLLIS.” No historical records indicate anyone named Hollis was involved with the property, suggesting the “Hollis” was either a misspelling, a misreading of the faded “Luhrs,” or a clerical error in signage reproduction. This naming mystery persists in Bodie’s lore, with modern historians attributing it to the town’s chaotic record-keeping rather than deliberate deception.

Service as the United States Land Office (1885–1886)

By 1885, as Bodie’s mining output peaked at over $3 million annually, the federal government recognized the need for formalized land claims amid speculative filings. The U.S. Land Office, established in Bodie on January 5, 1879, to process homestead and mining patents, was relocated to the Wheaton & Luhrs building in 1885–1886. This made it a key administrative hub, handling applications for public land purchases under the Homestead Act and receiving payments for government tracts. The office’s operations were essential in a town where claims overlapped and disputes were common, fueled by the 1872 Mining Law.

Early officials included H.Z. Osborne as the first Receiver of Public Monies, responsible for collecting fees, followed by H.L. Childs. In 1885, Michael J. Cody—father of Bodie historian Ella Cain—was appointed Receiver by President Grover Cleveland. E.R. Cleveland (no relation to the president), a partner in the Bodie Free Press newspaper, served as Registrar, tasked with recording claims. Dr. David Walker, a local physician and community leader, may have later assumed the Registrar role. The office buzzed with activity: applicants filed paperwork, paid fees (often $1.25 per acre), and navigated bureaucratic hurdles. However, scandal marred its tenure. Osborne, who retained influence, was accused of corruption, including overcharging for mandatory land-sale advertisements in the Bodie Free Press, which he co-owned. A rival paper, the Bodie Standard, exposed this conflict of interest, even after Cleveland’s appointment as Registrar failed to fully resolve it.

The Land Office’s stay was brief. In 1886, it relocated to Independence, California, as Bodie’s remote location and declining claims made a more central site preferable. Walker and Cody resigned their Bodie positions shortly after, with Cody moving his family elsewhere. The building reverted to private use, but its federal interlude left a legacy of paperwork that historians like Ella Cain later drew upon to document Bodie’s land history.

Later Uses: Utility Offices, Store, and Hotel (Late 1880s–1930s)

One of the coolest pool tables you will ever seen is in the Wheaton and Hollis Hotel, Bodie, CA
One of the coolest pool tables you will ever seen is in the Wheaton and Hollis Hotel, Bodie, CA

Post-Land Office, the building adapted to Bodie’s shifting fortunes. In the late 1880s and 1890s, it resumed mercantile functions, operating intermittently as the Bodie Store amid the town’s economic volatility. The 1892 Great Fire, which razed much of Main Street, spared this structure—possibly due to its position or quick firefighting efforts—allowing it to endure while neighbors burned.

By 1898, J.S. Cain (possibly related to the Cody-Cain family) purchased the property, and it was formally dubbed the Bodie Hotel. This incarnation emphasized its hospitality role, offering rooms and “meals at all hours” to travelers, miners, and lingering residents. The upper floor likely housed overnight guests in simple, Spartan quarters, while the ground level served food and perhaps doubled as a boarding house for workers. Bodie’s hotel scene was lively but perilous; the town boasted over a dozen such establishments, but fires, vice, and economic slumps claimed many.

In 1910, as Bodie transitioned from gold rush to industrial mining, the building became offices for the Bodie Hydroelectric Power Company. It functioned as a substation distributing electricity generated at Lundy Canyon (about 20 miles away) via transmission lines snaking through the Sierra Nevada. This marked a modernization effort, powering mills and homes in a town increasingly reliant on technology to extract deeper ore veins. The offices hummed with engineers and clerks until the early 1920s, when hydroelectric operations scaled back.

The late 1920s brought a brief revival tied to the Clinton-West Mining Company, which reopened claims and drew a small workforce. The building then fully transformed into the Wheaton & Hollis (or Luhrs) Hotel and boarding house, catering to miners with basic lodging and communal meals. George Wheaton, if still involved (though he had likely sold out earlier), may have retained naming rights, but by this point, the structure was under varied ownership. It provided essential shelter during Bodie’s “care-and-feeding” stage, where a caretaker population of 100–200 sustained minimal operations through the Great Depression.

Decline, Abandonment, and Preservation (1930s–Present)

The 1932 Great Fire, sparked by a child’s matches and fanned by winds, destroyed 70–95% of Bodie, including much of Main Street. Miraculously, the Wheaton and Hollis Hotel survived, its intact frame a testament to luck or slight isolation from the blaze’s core. By the mid-1930s, with mining unprofitable amid the Depression, the town emptied. The hotel fell into disuse, its interiors collecting dust—vintage photos from the 1910s show it already rundown, with peeling paint and sparse furnishings.

In 1932, California designated Bodie a state historic park, but full protection came in 1962 when it became Bodie State Historic Park. The policy of “arrested decay” stabilized the building: roofs were patched to prevent collapse, but no restoration occurred, preserving the eerie authenticity. Visitors today see the two-story facade with its belfry-like top (possibly for a bell, though not a firehouse), rusted hardware, and faded signage evoking “Wheaton & Hollis.” Interiors, captured in 1962 photos, reveal abandoned desks, shelves, and debris from its store and office days.

The building’s history mirrors Bodie’s arc: from boomtown ambition to ghostly relic. While the “Hollis” enigma endures, it underscores the imperfect records of a lawless frontier. Today, it draws thousands annually, a silent witness to the Gold Country’s fleeting glory.